Voice
Our Vocal staff have extensive performance experiences and/or pedagogy degrees. Styles include classical, opera, pop, avante guard, and more. We offer performance opportunities in the form of at least 2 recitals per year, local street fairs and community requests, participation in rock, jazz and worship band ensembles.
Our standard curriculum includes vocal technique, note reading, repertoire, music theory, scales, and sight singing as part of their weekly lesson. We accept students from age 3 and up.
Our Voice Instructors
Jonathan Lacayo (voice, piano, guitar)
Jonathan, a lyric tenor and San Diego native, studied vocal performance (B.A.) under Dr. John Craig Johnson and vocal coach Ines Irawati at Point Loma Nazarene University. Before finishing his studies, Jonathan had become an accomplished teacher. At the age 18 he began directing his church choir and by the following year had become the Director of Worship Ministries (Centro Cristiano La Palabra.) In the middle of his junior year of college he had been offered a teaching position at the Recreational Music Center in San Diego. There he created a Vocal Arts Summer program and helped create school curriculums through their school site programs, establishing a vocal curriculum at the Saint Charles Borromeo Catholic Academy. Furthermore, Jonathan has sung with Diego Opera’s university partnership program Opera Exposed! and outreach program Opera on Track under the direction of Dr. Nicholas Reveles.
Jonathan Lacayo has had the privilege to be invited to sing throughout the United States and internationally in Mexico. He made his U.S. Debut with Long Beach Opera, March 2016, in the role of “Wissam” in of Heather Raffo & Tobin Stokes’ Fallujah, an opera inspired by the story of U.S. Marine Christian Ellis in the Iraq War. He reprised the role in his debut with New York City Opera November 2016. Jonathan made his international debut with Opera de Tijuana in the role of “Joe” in Gershwin’s Blue Monday October 2015. Other roles include Long Beach Opera as “Man 1” in Robert Xavier’s west coast premier of Frida (2017); Opera Theatre of the Rockies: “Radames” in Verdi’s Aida (2017/scene), “Goro” in Puccini’s Madama Butterfly (2017/scene), “Pylade” in Gluck’s Iphigénie en Tauride (2017/scene); Lensky in Tchaikovsky’s Eugene Onegin (2015/Act 1), Don Jose in Bizet’s Carmen (2015/scene); San Diego Opera’s Opera on Track as “Don Ramiro” in Rossini’s Cenerentola 2016/Act 1); Point Loma Opera Theatre: “Parpignol” in Puccini’s La Boheme (2015), “Prince Charment” in Massenet’s Cendrillon (2014), “Beppe” in Donizetti’s Rita (2014), “Giuseppe” in Loesser’s Most Happy Fella (2013), “Aeneas” in Purcell’s Dido and Aeneas (2012) understudy for “Camile” in Lehar’s Die Lustige Witwe (2012) and “Don Anchise” in Mozart’s La Finta Giardiniera (2011).
Monday-Saturday 1:30pm-8:30pm
Jonathan, a lyric tenor and San Diego native, studied vocal performance (B.A.) under Dr. John Craig Johnson and vocal coach Ines Irawati at Point Loma Nazarene University. Before finishing his studies, Jonathan had become an accomplished teacher. At the age 18 he began directing his church choir and by the following year had become the Director of Worship Ministries (Centro Cristiano La Palabra.) In the middle of his junior year of college he had been offered a teaching position at the Recreational Music Center in San Diego. There he created a Vocal Arts Summer program and helped create school curriculums through their school site programs, establishing a vocal curriculum at the Saint Charles Borromeo Catholic Academy. Furthermore, Jonathan has sung with Diego Opera’s university partnership program Opera Exposed! and outreach program Opera on Track under the direction of Dr. Nicholas Reveles.
Jonathan Lacayo has had the privilege to be invited to sing throughout the United States and internationally in Mexico. He made his U.S. Debut with Long Beach Opera, March 2016, in the role of “Wissam” in of Heather Raffo & Tobin Stokes’ Fallujah, an opera inspired by the story of U.S. Marine Christian Ellis in the Iraq War. He reprised the role in his debut with New York City Opera November 2016. Jonathan made his international debut with Opera de Tijuana in the role of “Joe” in Gershwin’s Blue Monday October 2015. Other roles include Long Beach Opera as “Man 1” in Robert Xavier’s west coast premier of Frida (2017); Opera Theatre of the Rockies: “Radames” in Verdi’s Aida (2017/scene), “Goro” in Puccini’s Madama Butterfly (2017/scene), “Pylade” in Gluck’s Iphigénie en Tauride (2017/scene); Lensky in Tchaikovsky’s Eugene Onegin (2015/Act 1), Don Jose in Bizet’s Carmen (2015/scene); San Diego Opera’s Opera on Track as “Don Ramiro” in Rossini’s Cenerentola 2016/Act 1); Point Loma Opera Theatre: “Parpignol” in Puccini’s La Boheme (2015), “Prince Charment” in Massenet’s Cendrillon (2014), “Beppe” in Donizetti’s Rita (2014), “Giuseppe” in Loesser’s Most Happy Fella (2013), “Aeneas” in Purcell’s Dido and Aeneas (2012) understudy for “Camile” in Lehar’s Die Lustige Witwe (2012) and “Don Anchise” in Mozart’s La Finta Giardiniera (2011).
Monday-Saturday 1:30pm-8:30pm
Registration Private Music Classes
one on one or two on one private lesson with teacher