Yafei Lin (piano) 

is an experienced soloist and collaborative artist with performances in the United States, Taiwan, and on television. Most recently, Yafei worked as a collaborative pianist with numerous Los Angeles-based choirs, including SUUS Choir, Taiwanese Hai-Yun Choir, and Woodland Academy Choir. She serves as a staff accompanist at CSU Northridge, and regularly accompanies for student competitions and evaluations throughout the greater Los Angeles area. As an active member of the Music Teacher‘s Association of California (MTAC), Ms. Lin has developed a reputation as a music educator dedicated to excellence and student success, and her students have been recognized for their outstanding performances in the Certificate of Merit and ABRSM. A native of Taiwan, Yafei began studying piano at the age of seven and continued her education at Shih Chien University, where she studied piano and violin. She holds a Master’s Degree in piano performance from CSU Northridge, with piano studies under Dmitry Rachmanov, and was the recipient of the Etude Music Club Endowment and the Art Council Music Scholarship.  Fluent in Mandarin.  Advanced level only.

Member MTAC, Royal Conservatory 

Wednesday 1:30-8:30pm, Saturdays, additional availability upon request.  

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Harry Li (piano, theory) 

started piano along with music theory studies at the age of five. He is extremely passionate about teaching, even as a kid. He had earned the ABRSM piano diploma, a “5” on the AP music theory exam, as well as a “distinction” mark on the ABRSM theory level 7 in his high school years. Harry has been teaching piano and music theory for 4 years. He had mastered the CM theory curriculum, the AP theory curriculum, and the ABRSM piano and theory curriculum. He prides himself as one who can turn complicated or dreadful concepts into interesting and simple analogies to help students understand and memorize better. He wants every student to find the music journey rewarding, successful, and, most importantly, enjoyable. Fluent in Mandarin.

Saturday 12p-4p, Sunday 10:00am-4:00pm, upon request

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Jonathan Lacayo (voice, piano, children) 

Jonathan, a lyric tenor and San Diego native, studied vocal performance (B.A.) under Dr. John Craig Johnson and vocal coach Ines Irawati at Point Loma Nazarene University. Before finishing his studies, Jonathan had become an accomplished teacher. At the age 18 he began directing his church choir and by the following year had become the Director of Worship Ministries (Centro Cristiano La Palabra.) In the middle of his junior year of college he had been offered a teaching position at the Recreational Music Center in San Diego. There he created a Vocal Arts Summer program and helped create school curriculums through their school site programs, establishing a vocal curriculum at the Saint Charles Borromeo Catholic Academy. Furthermore, Jonathan has sung with Diego Opera’s university partnership program Opera Exposed! and outreach program Opera on Track under the direction of Dr. Nicholas Reveles.
Jonathan has had the privilege of being invited to sing throughout the United States and internationally in Mexico. He made his U.S. Debut with Long Beach Opera, March 2016, in the role of “Wissam” in of Heather Raffo & Tobin Stokes’ Fallujah, an opera inspired by the story of U.S. Marine Christian Ellis in the Iraq War. He reprised the role in his debut with New York City Opera November 2016. Jonathan made his international debut with Opera de Tijuana in the role of “Joe” in Gershwin’s Blue Monday October 2015. Other roles include Long Beach Opera as “Man 1” in Robert Xavier’s west coast premier of Frida (2017); Opera Theatre of the Rockies: “Radames” in Verdi’s Aida (2017/scene), “Goro” in Puccini’s Madama Butterfly (2017/scene), “Pylade” in Gluck’s Iphigénie en Tauride (2017/scene); Lensky in Tchaikovsky’s Eugene Onegin (2015/Act 1), Don Jose in Bizet’s Carmen (2015/scene); San Diego Opera’s Opera on Track as “Don Ramiro” in Rossini’s Cenerentola 2016/Act 1); Point Loma Opera Theatre: “Parpignol” in Puccini’s La Boheme (2015), “Prince Charment” in Massenet’s Cendrillon (2014), “Beppe” in Donizetti’s Rita (2014), “Giuseppe” in Loesser’s Most Happy Fella (2013), “Aeneas” in Purcell’s Dido and Aeneas (2012) understudy for “Camile” in Lehar’s Die Lustige Witwe (2012) and “Don Anchise” in Mozart’s La Finta Giardiniera (2011).  Fluent in Spanish.

Monday-Wednesday 1:30pm-8:30pm, Friday 1:30-6:30, Saturday 9am-5pm  

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Kiana Bell (voice, piano, guitar, ukulele) 

Hailed by the San Diego Union-Tribune as a “versatile wonder,” Kiana Bell is making her voice heard in the worlds of classical, musical theatre, and pop singing. While completing her B.A. in Music at Point Loma Nazarene University, she spent three years as part of San Diego Opera’s Educational Outreach and Apprenticeship program, Opera Exposed!, performing concerts in the Greater San Diego area, as well as on the main stage as one of the youngest members of the chorus. Favorite credits include Carousel (Utah Festival Opera), Ragtime (San Diego Musical Theatre), La Cenerentola (San Diego Opera on Track!) and American Rhythm (Lamb’s Players Theatre). Kiana has received prizes and recognition from the La Jolla Symphony and Chorus Young Artists Competition, the National Association of Teachers of Singing, and the Metropolitan Opera National Council. Kiana has recently taken a step into commercial music by becoming a Featured Singer and vocal captain for Royal Caribbean Cruises International, where she travels and performs anything from Musical Theatre revue shows to her own pop and soul sets. Kiana has been teaching private vocal lessons and vocal workshops since 2012. She makes it her aim to equip her students for any genre of singing by harnessing and cultivating classical-based technique.  

Monday - Friday 6:30-9:00pm; Saturday 11am-6pm, Sunday 10am-5pm 

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